Shane Bosher to direct Y&H Tour ’20

We are thrilled to have Shane Bosher as the director and dramaturg of the Y&H Tour 2020; WHADDARYA?

WHADDARYA? will be touring schools around New Zealand from May 5th to July 3rd, 2020.  For more information about booking the tour; click here

Shane bosher

Shane has been a director, dramaturg, producer and strategic development consultant for the last twenty years. Following training at Toi Whakaari: NZ Drama School, he has worked for all of New Zealand’s major theatre companies including Auckland Theatre Company, Downstage, Court Theatre, Circa Theatre, Bats, Fortune Theatre, the Auckland Festival, the NZ Festival of the Arts and the NZ Actors Company.

He has directed some of New Zealand’s most celebrated actors including Danielle Cormack, Rima Te Wiata, Michael Hurst, Catherine Wilkin, Peter Elliott, Jennifer Ward-Lealand, Oliver Driver, Tandi Wright, Stephen Lovatt, Theresa Healey, Jennifer Ludlam, Matt Whelan, Ellie Smith, Chelsie Preston Crayford and Gareth Reeves.

From 2001 to 2014, Shane was the Artistic Director of Silo Theatre. During his tenure, he directed some of the company’s most lauded productions including Angels in America, Speaking in Tongues, Private Lives, The Agony and the Ecstasy of Steve Jobs, Tribes, Top Girls, Tartuffe, The Only Child, The Brothers Size, When the Rain Stops Falling, That Face, Ruben Guthrie, Holding the Man, The Little Dog Laughed, The Real Thing, Three Days of Rain, Dying City, Take Me Out, Suddenly Last Summer and Bash.

He was named one of the Aucklanders of 2005 by Metro Magazine and in July 2007 was named one of the Most Influential People under 40. He is the recipient of three Auckland Theatre Awards and has been awarded Director of the Year by the NZ Listener four times. He has undertaken professional development at the Donmar Warehouse and Young Vic in London and Public Theater in New York.

In 2014, Shane was commissioned by Auckland Live to create Both Sides Now: Julia Deans Sings Joni Mitchell for the inaugural Auckland Cabaret Season. This production has since played to capacity attendance at festival engagements across New Zealand.

Shane spent 2015-17 based in Australia, directing The Kitchen Sink for Ensemble Theatre, The Pride for Darlinghurst Theatre, Straight for Kings Cross Theatre and sell out productions of Cock and The Bitter Tears of Petra Von Kant for Redline. His other recent work includes productions of Venus in Fur for Auckland Theatre Company, Jumpy for Fortune Theatre, A Streetcar Named Desire for Silo Theatre, Cock for Auckland Live, the world premiere of The Things Between Us for Christchurch Arts Festival. In 2018 he has directed the NZ premiere of Homos, or Everyone in America for Auckland Pride, Delicious Oblivion for Auckland Live and Cock for Circa Theatre.

As a playwright, his work includes produced works the award-winning A Star is Torn (Silo Theatre) and the Young & Hungry commissioned Homicidal Post-Pubescent Cheerleaders which was presented in 2001. From 2017-19, Auckland Arts Festival and Creative NZ supported the development of his latest work, Everything After, which won the Adam Best NZ Play Award for 2018.

He also works as a strategic development consultant, empowering companies to interrogate the line between art and business to enhance their infrastructural engines.

Introducing the I Am Māori Cast!

Meet the cast who will be touring I AM MĀORI around Aotearoa! 

Celeste De-Freitas

Celeste De-Freitas (Ngāti Porou) grew up in Perth, Western Australia but has been back home in New Zealand for nine years. Celeste studied drama in year 13 at high school but it was an epiphany during her first year of tertiary study that led her to try acting.

She completed a diploma in performing arts and then found Massive Theatre Company, Auckland. She has been a part of the Massive family for four years and has appeared in two of the company’s annual shows, Chance to Ignite in 2017 and Sighting‘ in 2018. In her spare time, Celeste loves to chill out and be with her beautiful family. 

James Forster

Hailing from Naenae, Lower Hutt, James Forster (Ngāti Porou) is a Graduate of Victoria University’s theatre programme, where he also studied English Literature, as well as primary and secondary school teaching. James’ flare for drama was first ignited during high school lunches spent stage-fighting with his mates. His time onstage has since grown to include seasons throughout Wellington with Young & Hungry, Summer Shakespeare, Wellington Fringe, and various projects with his university peers.

He greatly values the many moments and experiences shared with the individuals and communities he’s been lucky enough to meet – Who have pushed him to grow, while also reminding him to stay patient, light-hearted and not to take things too seriously. He hopes to continue doing so with the many he is yet to meet.

Jonathan Morgan

Wellington based Jonathan Morgan is of Māori (Ngāi Tāmanuhiri), Irish and Samoan (Magiagi, Sapapāli’i) descent. He holds a Bachelor of Applied Arts: Performing Arts (Singing) and a Diploma in Performing Arts (Musical Theatre) both from Whitireia Performance Centre and a Certificate in Screen Acting from Wellington Performing Arts Centre.

Career highlights for Jonathan so far have been ‘Puss’ in Puss in Boots – The Pantomime at Circa Theatre, ‘Tama T’ in Destination Beehive, touring Aotearoa with Capital E’s production of Songs of the Sea – Waiata o te Moana, ‘Mabel Fa’afafine’ in the upcoming feature film Upstage and cruising the Pacific on-board P&O’s Pacific Dawn last year, as a Youth Counsellor. When not on stage or in front of the camera, Jonathan’s hobbies include reading, swimming, Kapa Haka, watching and playing sport, and spending time with friends and family.

Piimio Mei

Piimio Mei (Tuhoe ruapuni raua ko Ngāti Kahungunu) made her debut in screen acting in 2017 starring as the lead in an independent comedy horror feature film, My Lover My Lazy Boy (working title, release 2019). She has since been working on film sets both in front and behind the camera; sets including the Māori Side Steps, commercials and short films. Through I am Māori, she returns to theatre for the first time since 2010, when she played the lead in her primary school production.

Although Piimio’s focus and main devotion is now acting she has an extensive background in dance, including a short term contract in an American Ballet Company, a Diploma in Commercial Dance and a Bachelor of Applied Arts in which she studied Siva Samoa, Cook Island and Maori Performing Arts. She has also danced with renowned Pasifika contemporary companies – Black Grace and Le Moana. 

We are so excited to have these four young actors on board. If you would like to find out more about the I AM MĀORI tour and how to book a performance for you school, click here

Playwrights confirmed for I Am Māori

The playwrights and plays that will be included in the in the 2019 have been confirmed!

In the 50-minute no-tech programme brought directly to your school by Y&H Tours, I AM MĀORI, directed by Nancy Brunning, showcases extracts from plays by Māori playwrights.

The plays and playwrights included are:

  • AND WHAT REMAINS – Mīria George
  • TAN-KNEE – Maraea Rakuraku
  • WOMAN FAR WALKING – Witi Ihimaera
  • TANIWHA WOMEN – Nancy Brunning
  • WAIORA – Hone Kouka*
  • DEATH OF THE LAND – Rori Hapīpī
  • ASTROMAN – Albert Belz*
  • NIGHT MECHANICS – Mīria George
  • NGĀ POU WAHINE – Briar Grace-Smith*
  • HUI – Mitch Tawhi Thomas

*NZQA Prescribed Playwright

The programme will touch on topics such as family issues, politics and land rights, with a common thread being ordinary people doing extraordinary things to change their world, no matter who they are or their background. It is the connection to their culture that gives them great strength to fight their battles and find the hero within.

Auditions for Y&H Tours 2019

We are looking for four up-and-coming professional Māori actors for the 2019 Y&H Tour to secondary schools, I AM MĀORI.

Directed by Nancy Brunning, I AM MĀORI showcases extracts from plays by Māori playwrights.

The programme will touch on topics such as family issues, politics and land rights, with a common thread being ordinary people doing extraordinary things to change their world, no matter who they are or their background. It is the connection to their culture that gives them great strength to fight their battles and find the hero within.

Confirmed excerpts include scenes from Hone Kouka’s Waiora, Briar Grace-Smith’s Ngā Pou Wāhine and Astroman by Albert Belz.

Available roles: two male, two female – all Māori

Rehearsals: 7 April – 29 April, 2019 – in Wellington

Tour dates: 30 April – 22 June, 2019 (see calendar)

We are looking for:

  • Confident speakers of Te Reo
  • Can hold a tune/ sing a waiata – playing an instrument is a bonus but not necessary  
  • Open, talented (whether from training or experience), be strong in your own opinion but also able to create a safe and supportive team spirit
  • A willingness to muck in and get along are essential
  • Full drivers licence desired – the cast tour by themselves with the support of head office and a minimum of two full licences required for health and safety  

Auditions Dates:

Auckland: Saturday 2 February, 2019             Wellington: Saturday 9 February, 2019

On registration, a script will be sent out in preparation for the audition

How to apply

To audition: please send your C.V. and a separate photo to Natasha Thyne – [email protected]

Let us know which audition centre you’d like to attend and your preference for a morning or afternoon session.

For any queries please contact Natasha at the email address above or call 04 385 8227

**Y&H Tours recommends EQUITY New Zealand

I AM MĀORI; announcing first 3 plays

I AM MĀORI to include three playwrights from the NZQA prescribed playwrights list

We are pleased to confirm excerpts from playwrights Hone Kouka, Briar Grace- Smith and Albert Belz will be included in I AM MĀORI.

The programme will feature scenes from Hone Kouka’s Waiora, Briar Grace-Smith’s Ngā Pou Wāhine and Astroman by Albert Belz, which recently had twin premiers at The Court in Christchurch and the Melbourne Theatre Company.

In the 50-minute no-tech programme brought directly to your school by Y&H Tours (A Country of Two Halves, OUTLIERS), I AM MĀORI showcases extracts from plays by Māori playwrights.

We are thrilled to have Nancy Brunning as the director and dramaturg of what will be another excellent show for your students.

Nancy selected these scenes because they all deal with change – whether that change is bad, liberating or challenging. 

“As artists each of the writers have used pathos, debate and imagination to highlight how their protagonists experience the status quo, ask more of the world they live In and endeavour to understand what is real, to find release or to remember what is good about being Māori in an unforgiving New Zealand”

About the Plays and Playwrights

Hone Kouka’s Waiora is set in 1965 and tells the story of a Māori family, who have recently migrated to the South Island from the East Cape, preparing to celebrate a birthday with their Pakeha guests.

Hone (Ngati Porou, Ngati Raukawa, Ngati Kahungunu) is an acclaimed Māori writer, winner of the Bruce Mason Award (1992) and multiple Chapman Tripp Theatre Awards. He became a member of the New Zealand Order of Merit for services to Contemporary Māori Theatre in June 2009.

A recent reviewer said of Waiora; “It is a beautifully written play that merges Greek tragedy with classic post-war plays like Arthur Miller’s Death of a Salesman. It is funny, carefully observed, well-crafted and with a pleasingly old-fashioned feel.”

Ngā Pou Wāhine was Briar Grace-Smith’s first play and earned her the Bruce Mason Playwriting Award in 1995. The debut season was directed by Nancy Brunning and starred Rachel House.

Briar Grace-Smith (Ngā Puhi, Ngāti Wai) ONZM has written for stage, television and film as well as short stories.

Ngā Pou Wāhine brings to life the journey of a young, working class wāhine, as she discovers her true spirit through the fabulous stories of her whānau and the dramatic history of her ancestor, Waiora.

The NZ Herald said of the play; “Briar Grace-Smith’s uniquely poetic vision achieves universal appeal through its vividly detailed focus on a particular rural community that presents itself like a hologram composed from an accumulation of luminous fragments.”

Astroman is a flashback to the 80s and tells the story of Jimmy, a gifted boy genius who escapes life’s pressures at the local Astrocade. With the help of his resourceful mother and the elderly Scottish owner, he battles bullies, stops space invaders and grabs an extra life.

“It’s an endearing, physical and nostalgic coming-of-age drama,” Stuff review, October 2018.

Albert Belz (Ngati Porou, Nga Puhi, Ngati Pokai) has been a professional writer for television, film and theatre since 2001. He has been nominated for and won several Chapman Tripp Theatre Awards during his career including Best New Zealand Play and Most Original Play amidst many others.

Book today

I AM MĀORI will be touring to schools around New Zealand from April 30th to June 21nd. 

Booking information and a proposed tour route are now available on the website.  

Booking enquiries can be made directly via programme administrator Natasha at [email protected] or 04 385 8227

A full list of excerpts will be announced at the start of Term 1, 2019

Nancy Brunning to direct Y&H Tour ’19

We are thrilled to have Nancy Brunning as the director and dramaturg of the Y&H Tour 2019; I AM MĀORI

I AM MĀORI will be touring schools around New Zealand from April 30th to June 21nd.  For more information about booking the tour; click here

Nancy Brunning

Producer/Director/Writer

Ngāti Raukawa, Ngāi Tūhoe. Nancy has been involved in professional theatre since 1992. She trained at Toi Whakaari: NZ Drama School in 1990-1991, established herself as a theatre actor, director and dramaturge with Māori Theatre/Production Company Taki Rua Productions for well over 15 years.

She has acted for theatre throughout New Zealand and has directed theatre in English and Māori.  She also works as an actor and has assisted with dramaturgy with some of New Zealand’s most celebrated Māori Playwrights such as Briar Grace-Smith, Witi Ihimaera, Hone Kouka and Albert Belz to name a few.

In 2011, she wrote her first play which was produced in 2014 in Wellington, later that year she was selected as the first Indigenous NZ Writer at the Banff Indigenous Writers Residency in Canada 2014.  Hīkoi was then premiered at the 2015 Auckland Arts Festival. Nancy is also an actor recently playing Ramona in “Mahana” ”Directed by Lee Tamahori based on the novel “Bulibasha” by Witi Ihimaera.  She is cast in the TV drama In Dark Places, the story about Teina Pora and the latest season of Brokenwood Mysteries. 

She has recorded many plays and short stories for Radio NZ, was casting manager and kaitautoko for Documentary/Drama film “Belief” about the tragic death of Wainuiomata resident Janet Moses.  Most recently she directed Albert Belz’s Astroman for The Court Theatre.

Hāpai Productions was co-founded by Nancy and Tanea Heke in 2013. Nancy took on the role of Producer/Director and Writer in their project Portrait of an Artist Mongrel celebrating the writing of Rowley Habib which was presented at this year’s Auckland Writers Festival.

2019 tour announcement – I AM MĀORI

Young & Hungry is pleased to present its theme for the 2019 tour;

I am Māori

Ordinary People changing the world

In the 50-minute no-tech programme brought directly to your school by Y&H Tours (A Country of Two Halves, OUTLIERS), I AM MĀORI showcases extracts from plays by Māori playwrights.

We are thrilled to have Nancy Brunning (Ngāti Raukawa, Ngāi Tūhoe) as the director and dramaturg of what will be another excellent show for your Drama and English students. 

Nancy is an actress, writer and director who has won awards in film and television and has made a major contribution to the growth of Māori arts, including acting as a dramaturg for some of New Zealand’s most celebrated Māori playwrights.

Nancy says she would aspire her storyteller super power to be matakite/seeing into the future.

“Ki te kahore he whakakitenga, ka ngaro te iwi – without foresight or vision the people will be lost”.

The programme will touch on topics such as family issues, politics and land rights, with a common thread being ordinary people doing extraordinary things to change their world, no matter who they are or their background. It is the connection to their culture that gives them great strength to fight their battles and find the hero within. 

I AM MĀORI will be touring to schools around New Zealand from April 30th to June 21nd.  

The programme will feature at least one extract from a playwright on the NZQA prescribed reading list, with all extracts confirmed by early term 1, 2019.

Booking information and a proposed tour route are now available on the website. Booking enquiries can be made directly via programme administrator Natasha at [email protected] or 04 385 8227

Stay tuned for more information being released in the coming months.

Curriculum support

Along with the performance at your school, your booking includes a study guide with:

  • A master script
  • Playwright bios and play synopses
  • a digital filming of the work which can be accessed anytime throughout the year after the performance,
  • notes and information from the creative team,
  • and pre and post show activities and exercises tailored to exam requirements.

Y&H Tours (Formerly EnsembleImpact: A Country of Two Halves, OUTLIERS)

Y&H Tours takes New Zealand theatre to secondary schools, universities and youth theatre groups around the country. Created to support the drama curriculum, it showcases a themed collection of New Zealand playwrights, tells New Zealand stories, addresses issues that are relevant to New Zealand youth, and employs young New Zealand actors at the start of their professional careers.

Performed in traverse by four young professional actors, the show requires no lighting or sound set up. It is ideally suited to Drama students in years 10 -13 and has a 5-minute Q and A built into the programme. 

Tour ends with three shows at BATS

Young & Hungry’s tour of A COUNTRY OF TWO HALVES comes to an end in Wellington with three public performances at BATS Theatre.

July 5th, 6th and 7th  | 6.30PM

BATS Theatre | 1 Kent Terrace

Tickets are $15 

Visit www.bats.co.nz  or call (04)802 4175to book 

A COUNTRY OF TWO HALVES cast (from left) Laura Thompson, Ariadne Baltazar, Patrick Tafa and Liam Hughes after their performance at Gisborne Girls’ High School.

Auckland public performance of A COUNTRY OF TWO HALVES

Tickets are on sale now for the Auckland public performance of our touring show A COUNTRY OF TWO HALVES. 

Sunday, June 17th | 4PM

TAPAC (The Auckland Performing Arts Centre) | 100 Motions Road, Western Springs, Auckland

Tickets are $12 for students and $15 for adults. 

Visit www.tapac.org.nz to book 

Don’t miss the chance to see our fabulous cast of Ariadne Baltazar, Laura Thompson, Liam Hughes and Patrick Tafa in action. 

Directed by Patrick Davies, A COUNTRY OF TWO HALVES consists of extracts from New Zealand plays that help us understand how the ‘other half’ live: whether it be the haves and the have nots, rural and city, or privileged and un-empowered.

This 45-minute bare bones programme of New Zealand theatre (followed by a five-minute Q&A) can open discussion about the misunderstandings that keep us divided and what brings us together.

The show includes extracts from Wednesday to Come (Renée), Ka Shue (Letters Home) (Lynda Chanwai-Earle), Urban Hymns (Mīria George), Broken River (Ralph McCubbin Howell), The Debate (Riwia Brown), Revenge of the Amazons (Jean Betts), Sham (Jess Sayer), and The Tutor (Dave Armstrong).

 

AUDITIONS: EnsembleImpact National Schools Tour

**AUDITIONS**
ENSEMBLEIMPACT NATIONAL SCHOOLS TOUR

Young and Hungry is looking for four up-and-coming professional actors for the 2018 EnsembleImpact National Schools Tour, A COUNTRY OF TWO HALVES.

Directed by Patrick Davies, A COUNTRY OF TWO HALVES features features scenes exploring the wide range of conflicting and opposing opinions, ethnicities, politics, social levels and ages of the wonderful characters who populate NZ playwrights’ plays.  A COUNTRY OF TWO HALVES can open discussion about the misunderstandings that keep us divided and what brings us together.

We are looking for four actors with just as wide a range of diversities to bring this to life. You will be open, talented (whether from training or experience), able to hold a tune (if not sing brilliantly), able to bring your own style of physical exuberance to the production. Be strong in your own opinion but also able to create a safe and supportive team spirit.

See The Big Idea for details and how to apply.