Ambassador review: Cock

By Mike Bartlett
Director: Shane Bosher
Circa Theatre 

Reviewed by Xanthe: 

A raw and jarringly intimate piece of theatre. Cock explores relationships and feelings in a high energy, tense performance that kept the audience at the edge of our seats. The empty set, surround seating, and lack of mime gave a blank canvas for true characters and emotions to be the forefront of the piece. The only thing for the audience to grip onto was the words and emotions, the way each was twisted and entangled into a both extreme and real situation of love and decisions. The show leaves you questioning, how can you know yourself if you don’t know what you want?

Reviewed by Phil: 

John wants out. And so he’s taking a break from his clingy boyfriend. Free from the shackles of a relationship, the last thing he wants is to finally meet the girl of his dreams, caught up in a three-way love triangle puts pressure on John. what’s more important? His boyfriend? Or his reputation?

When you first walk into the theatre showing, you notice the seats styled after a typical Greek Amphitheatre, shaped like a U. This is accompanied by a white stage and a white backdrop, both of which are bare. Due to this simple layout, the play can progress through different stages without fuss.

The style of this piece was definitely contemporary, but, much like what it’s named after, there are references to an asian style of “Cock fighting.” this is seen when the actors circle each other during violent floods of solid red, each sizing up their co-stars during the interactions. The way the actors behave also slightly mimics and humanizes this style of fighting, accommodating for the human anatomy.

 When the performance starts, we are introduced to John and his overly clingy boyfriend “M” as they struggle through their relationship for a solid few minutes. The effective performance from both actors really opens up the struggle of both of the characters. The raw, tense emotions from both characters and the way that lighting and no set or props were implemented really made for a very engaging performance. 

The real conflict begins with the introduction of “W”, The female love interest of John and the one who, single handedly, manages to disrupt the relationship the two men have. The actress did an amazing job at capturing the typical female love interest and the sustained character really gave the story substance. The conflict furthers when “F”, “M”’s father, comes into the picture, again this really added to the conflict and gave John something to fight for and opened up a host of questions pertaining to his real sexuality. 

Overall, I really enjoyed “Cock” and felt that it was a really well put together show. The way the actors portrayed the conflict and the underlying questions the show left me with afterwards were really interesting. The play is a raw, saucy look into sexualities, relationships and the feelings of love. I would give Cock a 9.5 out of 10 for it’s simple design, interesting plot and overall cool premise. Cock is a very unique play that I doubt others will try to emulate any time soon. I would recommend it to people who like short performances with interesting premises or for people who want to try something new with their theatre going experience.  The play runs until the 9th of November in Circa One.

Ambassador Review – Waiting for Godot

Waiting for Godot 
Written by Samuel Beckett
Directed by Ross Jolly
at Circa Theatre until 1 June 2019
Reviewed by Jasmine

I found this piece of theatre absolutely stunning! Having performed and studied excerpts from this play myself at school I was very excited to watch this show; it did not disappoint! A highlight of the show, from a critical and additionally from an actor’s perspective, was the incredible dynamic between Vladimir and Estragon in this performance. The actors perfectly captured the relationship between the two men and in the natural absurdist fashion, managed to play not only individual characters but actually successfully embodied representations of wider societies, which was fascinating to watch as an audience member. 

Additionally, I found the staging to be superb. Again, when it comes to absurdism, one can risk using the minimalist stage setting poorly, and compromising the play, however this did not happen in this performance. Beckett’s specific instructions for the setting mean that creative liberties with Waiting For Godot cannot be taken, and I am aware that it has been reported a struggle for some to find originality in the setting, however in this particular piece they used the set and props offered really well and it was pleasing to the eye. This was aided heavily by the lighting, which added an additional tone of uncertainty and gloom to the piece, which was very true to Beckett’s work. 

Of course, as well as the acting was from Vladimir and Estragon, I feel it would not be right to not acknowledge the incredible performance given by the man playing Lucky (Jack Buchanan). For me personally, I find Lucky’s monologue to be one of the most exciting scenes in the history of theatre and to see it performed in that way it was incredible. This monologue is always interesting to watch because each production of Waiting for Godot performs it so differently; in this one they seemed to take the theme of general absurdity and magnify it to a level that hadn’t been reached in the play. As this play has been called by The Irish Times, Waiting for Godot is essentially “a play in which nothing happens, twice” and this monologue really added some climax and excitement into the mixture of nothingness through the rest of the play. 

All in all, Waiting for Godot was absolutely phenomenal and I would watch it again in a heartbeat. 

Ambassador Review – Micronation Street Play Reading

Circa Theatre, April 6, 2019 
Reviewed by Xanthe, Wellington Girls 

Micronation Street, was a story of fighting for what you believe, in the face of obstacles – which is something that is very prevalent in our world today. The cast had amazing physicality, which was particularly useful as the 6 of them played about 30 characters.

While this was only a reading, and not the final polished play, it was really interesting from a drama student perspective, because it showed some of the creative process of creating a performance and I could relate to this process because of past drama experiences. 

Ambassador Review – The Atom Room

Circa Theatre; June 27, 2018
Review by Ben Shea, Wellington College

It is often the case with our cool little capital of Wellington we are so spoiled for choice by the abundance of culture that we miss the little gems which don’t come from an ‘Award winning Broadway season’ or ‘Straight off the West End’.  Philip Braithwaite’s new play The Atom Room is one such production which should by no means be missed. From the promotional material it seems like a Kiwi attempt to jump on the long departed dystopian train, but it’s more than a dystopian tale, or in fact a science-fiction one. For the most part it is in fact a love story, telling the story of a couple’s struggle to stay together while separated by 54.6 million kilometres of space and connected only by the wonders of the Atom Room. As Clare Waldron (Margret) touched on in the post show Q&A the story could take place anywhere, anytime, in any kind of long distance relationship. The Martian setting is merely another way of exploring a universally applicable idea.

The small cast all deliver, the dynamic between Sarah (Harriet Prebble) and Danny (Taylor Hall) is strange and almost distorted which adds to the audience belief in the separation of the two lovers. We feel Danny’s longing to be with his wife again, this helps to add to the believability of Danny’s actions at his lowest point in the play. Prebble truly captures the feeling of being torn between career progression and wanting to be with her loving husband. Sarah’s boss, Margret helps to drive the show forward, she is the catalyst which drives the story forward, she also provides some of the funnier moments in the story. Overall it is a very well-acted production with the small cast all feeling important and contributing only what is necessary to the story without overstuffing the show.    

The play deals with a variety of themes, from the haunting future of Wellington as climate change begins to take effect, to whether our technology driven lives are destroying the power of true love. It even briefly discusses the death of so called “soft skills”, or non-technological/scientific talents. It is the kind of play which makes you think but is not dependent on this to be successful. It is a love story which raises questions about humanity and where we (particularly in NZ) are going.

I think it was the fusion of the show with the music of New Zealand electronic band Minuit, which gave the show it’s unique feel. In the small space of Circa Two, the music soars and lifts the show to an almost cinematic level of engagement. Using three large LED screens, the simplistic set is transformed from apocalyptic Wellington, to a rare hill where the air is breathable, to the titular atom room and to various other locations in between. I was sceptical as I came into the theatre, having had bad experiences with AV in the past but the tech more than delivered. It was a welcome addition to a show which lifted the standards that our stage technologies should reach.

My only criticism of The Atom Room is the pre-show VR experience which feels slightly tacky and really doesn’t contribute anything to the show itself. Otherwise this production was a delight from start to finish and I would fully recommend anybody to do experience a wonderful and thought provoking night at the theatre.


Mid-tour catch up with the ACOTH cast

The cast of Young and Hungry’s A COUNTRY OF TWO HALVES have been touring around schools across New Zealand, from Dunedin in the south all the way up to Kaitaia, before heading back down to Wellington for public performances at BATS Theatre. Along the way they have performed to thousands of students, who each take away something different from the show.

We caught up with the cast and asked them about the tour so far:  

  1.  What has been the best feedback you’ve had from students?

Pat: For me it’s their big laughter. I can tell they’re enjoying the show. Also students who are just keen on advice and open to it as well.

Laura: We overheard some students in Nelson saying that the show had completely changed their idea of what theatre is, which is so exciting!

Liam:  Probably the best feedback is a hi-five from one of the “cool kids” who at first don’t seem interested but by the end are fully engaged.

  1. Favourite moment/ highlight of the tour so far? 

Pat: Seeing the beautiful South Island! 

Laura: I’ve been blown away by how engaged the students have been with the show. I didn’t know how they’d respond to live theatre – I wondered if they’d lose interest or find it a bit strange because it’s different from a lot of the entertainment they usually consume. But all of the students have been so invested, which has been so rewarding and which I am very grateful for!

Liam: The highlight of the tour for me has been seeing parts of the country that I have never seen before. I’m moving overseas in September so it’s a nice send off to tour around our backyard. 

  1. Low point of the tour?

Pat: Schools cancelling shows. Booo!

Laura: We’ve had a few schools that have had to cancel, which has been disappointing. The show is definitely strongest when we’re performing consistently and working with students almost every day, so too many days off can actually be a bit disorienting!

Liam:  The low point for me is when a bunch of schools cancelled for whatever reason (mainly due to mock exams I imagine) and we were left with a lot of free time in a place where there wasn’t much to do. 

  1. What message from A Country of Two Halves resonates with the students?

Pat: I think we give them an insight into different lifestyles and perspectives through the characters and their stories.

Laura: I think the students really take away from our show that theatre should and can be for everyone. Our show doesn’t have lavish props or sets, and we’re working in school halls, so I think there’s a real element of, hey, I could do this! We’re also sharing New Zealand stories from a diverse range of voices, which again encourages the students to dream about their own stories being told. I think it’s helped them to see theatre as something that is accessible and relevant.

Liam:  A message that resonates the most seems to be that everyone has demons and that no one is perfect. The show really highlights different perspectives throughout New Zealand and allows the kids to empathise with a whole range of people and cultures without a sense of being “taught” or spoken down to. It’s up to them what they take from the show, and I think that’s the most important thing. 


Cast of A COUNTRY OF TWO HALVES, from left, Ariadne Baltazar, Laura Thompson, Liam Hughes, and Patrick Tafa.

Four talented actors will be touring to schools across New Zealand with the Young and Hungry National Schools Tour.

Ariadne Baltazar, Laura Thompson, Patrick Tafa, and Liam Hughes make up the cast for A COUNTRY OF TWO HALVES, and started rehearsals this week in Wellington.

Director Patrick Davies said each actor brought something unique to the table and an openness with their acting style which suited all of the eight play extracts.

“I’m thrilled to be directing the Y&H Tour. It’s an exciting opportunity to rake through the rich history of New Zealand playwrights in presenting polarised aspects of our culture.”

The tour runs in the second term from May 15 to July 7, 2018. If you would like to have these actors perform at your school, check out the tour details here.


Laura Thompson grew up in Titirangi, West Auckland, and is of Ngāi Tahu descent. Laura completed a Bachelor of Performing Arts at Toi Whakaari: NZ Drama School, and upon graduating spent 16 months on Shortland Street playing the villainous Dr Victoria Anderton. Since then she has continued to work in television and on a number of short films. Laura is also an educator for Rape Prevention Education, teaching high school students about consent and promoting healthy relationships. In her spare time, Laura loves writing, kickboxing and getting outdoors.

Liam Hughes is a recent graduate of Unitec’s Performing and Screen Arts Bachelor Course and an actor at Auckland Actors. He has always been into acting since he was little, but it wasn’t until he went to Northcote College and joined the Drama Class that he knew he was obsessed. Liam took part in the 2013 Young and Hungry Festival at The Basement Theatre, has acted in a number of web series and is currently on your screens in an ad for a ‘finger-lick’in-good’ product.

Ariadne Baltazar began seriously pursuing acting as a career in Yr 11 at Sacred Heart College, Lower Hutt. She participated in the O’Shea Shield, school productions and community productions such as Jim Moriarty’s The Battalion in collaboration with Te Rakau during her final year. At the end of Yr 13, she was awarded the Juliet Howard Cup for Drama and went on to study at Toi Whakaari: NZ School of Drama in Wellington, and graduated with a Bachelor for Performing Arts: Acting. Named after the Greek princess who became a goddess, Ariadne (pronounced Aryadeen – like Aria and Dean together), or Ari as she goes by these days, has been learning Korean for 2 years which led her to become an ‘Army’: an avid fan of the trending South Korean boy-band BTS.

Patrick Tafa first gave acting a go in high school. After gaining lots of laughs and positive reactions from the audience during his first performance, he knew that’s what he wanted to do. Hailing from Onehunga in Auckland, Pat joined Massive Theatre Company at 16-years-old when his mum enrolled him for an acting workshop, he absolutely loved it and has been with the company ever since. Last year, he got a taste of touring life when he went on the road with the company’s devised work The Wholehearted. You may recognise Pat as Falani from Westside, the prequel series to Outrageous Fortune, which he has just finished filming the fourth season.

Fun fun videos!

The 2017 Young and Hungry Festival of New Theatre publicity mentees, supported by mentor Brianne Kerr, have been super busy creating three awesome new videos to promote the festival shows.   The shows are on 14-29 July at BATS Theatre, Wellington

(Thanks to Capital E for filming these in their amazing MediaLab for kids).


One Night Only by Finnius Teppett. Info and Tickets 

You’re in for one hell of a night!

The world’s most famous boy band, FourEver, is nearly ready to take the stage for their only New Zealand show. All that stands in their way is each other, their fans, the media, and the ghosts of their dodgy past…


Fallen Angels by Emily Duncan. Info and Tickets

Max Angelis has made his fame and fortune with his reality TV show Max’s Angels. But when two fallen angels arrive to take revenge? It’s the most heated episode of Max’s show ever!

Attila the Hun by Abby Howells. Info and Tickets

War, peace and a side of grease! A comedy set in a late night fast food restaurant, featuring terrible customers, disgusting food, Tom Cruise, a new duty manager… Oh, and also ATTILA THE HUN, he’s there too.

Festival of New Theatre: Book Now!

Young & Hungry Festival of New Theatre 2017!

14-29 July 2017
BATS Theatre, 1 Kent Tce, Wellington  
Tickets: / [email protected] / 04 802 4175

Young and Hungry is your chance to celebrate and support young talented theatre practitioners in three amazing new kiwi plays! Our 24th year sees a pop-tacular descent to hell, real reality TV, and an epic comedy about a Mongolian warlord flipping burgers!

6.30pm on Propeller StageOne Night Only
8.00pm on Heyday DomeFallen Angels
9.30pm on Propeller StageAttila the Hun

Written by Finnius Teppett / Directed by Stella Reid

You’re in for one hell of a night!

The world’s most famous boy band, FourEver, is nearly ready to take the stage for their only New Zealand show. All that stands in their way is each other, their fans, the media, and the ghosts of their dodgy past. Making it out of the green room alive would be a miracle, let alone lasting the rest of the tour…

Written by Emily Duncan / Directed by Rose Kirkup

When the cameras stop rolling who will stick to script?

Max Angelis has made his fame and fortune with his reality TV show Max’s Angels. However, beasts and demons are released in his celebrity perfect home when two fallen angels arrive to take revenge and reveal explosive truths about his family. It will be the most heated episode of Max’s show ever. 

Written by Abby Howells / Directed by Patrick Davies

War, peace and a side of grease!

A comedy set in a late night fast food restaurant, featuring terrible customers, disgusting food, Tom Cruise, a new duty manager. Oh, and also ATTILA THE HUN, he’s there too. 

Y&H SEASON PASS: see all three plays – any night/s that suit you – for just $51 full price or $36 student/concession!


$20 Full Price or $51 Season Pass (to see all 3 plays)
$15 Concession or $39 Season Pass (to see all 3 plays)
$15 Group 6+ (per person)
$10 School  or $25 Season Pass (to see all 3 plays)

For 24 years Young & Hungry and BATS Theatre have been providing talented young people with a platform to perform, produce and create great theatre. With the Y&H Playwright Initiative producing three new kiwi plays a year and the annual Festival of New Theatre at BATS Theatre, Y&H feeds the theatrical hunger and quenches the creative thirst of younguns’ under 25.

Twitter / Instagram / Snapchat: @YANDHWGTN

OUTLIERS – public shows!

 The tour is under way and we’re already getting great feedback!

“They were amazing!!! My students buzzing!!!’ – St Margaret’s, Christchurch

‘Loved the monologue from Queen, my kids just adored the whole collection of scenes. … every single student had one particular excerpt that resonated with them – definitely a something for everyone show.” – Heretaunga College, Wellington.

‘Physical performance is one of the strengths of this show with dance routines, intimacy, aggression and physical metaphor.’ – Zoe Joblin Theatreview

We’re going to almost 40 schools in 7 weeks from Queenstown to Kataia! There are spare performance slots in just a few North Island locations. See if we can fit you in:  Tour Calendar

How to catch a public show:

Just have a small number of drama students? Need an inspiring night out immersed in contemporary NZ Theatre? Want to check us out to see how it works?

If you’re in Wellington, Whangarei or Auckland then you can catch one of our public evening performances.

 – Wellington – 6:30pm, Thursday 25 & Friday 26 May at BATS Theatre, 1 Kent Tce  Get Tickets.

 – Whangarei – 7pm, Friday 2 June at OneOneSix, 116a Bank St, $10/ $5 on the door

 – Auckland – 7pm, Friday 9th & Saturday 10th June at TAPAC (The Auckland Performing Arts Centre), 100 Motions Road, Western Springs. Get Tickets